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“Crossroads,” Sandra Vásquez de la Horra’s show at David Nolan Gallery in Chelsea, is as intimate and unsettling as anyone familiar with the work of this Chilean-born, Berlin-based artist might expect.

Playful and diabolic, Vásquez de la Horra’s style merges personal and lyrical narratives, engaging private and social memory and mythology. These narratives, or really antinarratives, which disrupt conventional notions of plot, chronology, and character development, are created from collections of (mostly graphite) drawings on wax–coated, creamy white paper.

Ella Coon · ArtNews·  March 2016