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Sandra Vásquez de la Horra

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DARSI - Mostra internazionale d'arte contemporanea

DARSI – Mostra internazionale d’arte contemporanea

Si è inaugurata il 9 aprile a Palazzo Lombardia la Mostra internazionale d’arte contemporanea, a cura di Bustos Domenech, che spazia dalla pittura al disegno, a...

Current Exhibitions

DARSI – Mostra internazionale d’arte contemporanea
Si è inaugurata il 9 aprile a Palazzo Lombardia la Mostra internazionale d’arte contemporanea, a cura di Bustos Domenech, che spazia dalla pittura al disegno, alla scultura, alla fotografia.
América sin Fronteras
David Nolan Gallery is pleased to announce América sin Fronteras, an exhibition of new and recent work by Chilean artist, Sandra Vásquez de la Horra – her fourth at the gallery. On view from March 15 through April 28, the presentation will include significant drawings and three-dimensional works that testify to the artist’s vivid imagination and also the introduction of a monumental new scale into her practice.
Il TERZO GIORNO
Sex and Mortality, 20 APR - 1 JUL, 2018, Parma, Italy. Group exhibition curated by Didi Bozzini at PALAZZO DEL GOVERNATORE, Parma (IT)
Meridianos
Second solo show of the artist Sandra Vásquez de la Horra (Viña del Mar, 1967) named Meridianos at galeria SENDA. The Chilean artist presents her latests works, where she quits the small format using instead big drawings and three-dimensional shapes on paper and ceramics of one of the most vigorous Latin-American artists in the contemporary scene.
The artist voice
The Parkview Museum Singapore is pleased to announce the contemporary art exhibition, The Artist’s Voice, the first show in a series of thematic exhibitions presented by The Parkview Museum aimed at exploring the complexity of our historical time through the narrative language of contemporary art. The Artist’s Voice will be inaugarated on 17 November 2017 (open to the public on 18 November 2017) and will run until 18 March 2018. The Parkview Museum Singapore will be the first stop for this exhibition.

Texts

Jean-Christophe Ammann
Sandra Vásquez de la Horra beschichtet das Papier, auf dem sie arbeitet, mit Wachs. Da- durch erhält der Strich eine Tiefenschärfe. Der sanfte Glanz der Oberfläche schafft einen Hauch von Resonanz. Die Wachsbeschichtung ist, vergleichbar mit der Qualität eines Papiers, Teil des zeichnerischen Prozesses. Der Strich von Sandra Vásquez de la Horra ist weich und bestimmt. Er besitzt im unterschiedlich artikulierten Strichfeld eine Tonalität, die einen Klangraum evoziert.
Jonas Storsve
La condition humaine selon Sandra Vásquez de la Horra published at Sandra Vásquez de la Horra, Hatje Cantz Verlag
Paz Guevara
Sandra Vásquez de la Horra appropriates popular iconographies and expressions through processes of compilation, association, and hybridization, creating drawings where figures, scenes, and allegories from dissimilar times are twisted in a contemporary mythology and personal alphabet. With graphite, the artist draws over different recycled paper types and dips them in wax, as inscriptions traversed by multiple layers in the manner of a palimpsest.
Lóránd Hegyi
SUBVERSIVE INTENSITY OF THE IMAGE NARRATIVES OF LIBERATED FANTASY Sandra Vásquez de la Horra’s drawings are alarming and frightening, barbaric and exotic, obtrusive and seductively corporeal, enigmatic, hallucinative and ghostly. They appear alien and at the same time very familiar, like a remembered experience, as intimate as if they somehow originated from our own world, our own life.

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